Monday, February 25, 2013

This Is the New Year



This Is the New Year - A Great Big World

Another year you made a promise
Another chance to turn it all around
And do not save this for tomorrow
Embrace the past and you can live for now
And I will give the world to you

Speak louder than the words before you
And give them meaning no one else has found
The role we play is so important
We are the voices of the underground
And I will give the world to you

Say everything you've always wanted
Be not afraid of who you really are
'Cause in the end we have each other
And that's at least one thing worth living for
And I will give the world to you

A million suns that shine upon me
A million eyes you are the brightest blue
Let's tear the walls down that divide us
And build a statue strong enough for two

I pass it back to you
And I will wait for you
'Cause I would give the world
And I would give the world
And I would give the world to you

This is the new year
A new beginning
You made a promise
You are the brightest
We are the voices
This is the new year
We are the voices
This is the new year

======

隨性而活力的韻律有個可愛的名稱--舞動。

網路媒體的神奇之處,就是讓所有的人都有機會讓世人看見自己。YouTube這個舞台,也確實涵養著許多有才華的表演者,讓他們直接地展現自我,相互激盪。Ian Axel和Chad Vaccarino就是兩個在網路上發表創作的年輕人。雖然合作了五六年的時光,但嚴格來說,這個樂團卻一直沒有明確的團名,大概就是用團長的名字連寫的"Ianaxel",或是兩人名稱並排的"Ian and Chad"來稱呼自己。直到去年秋天,為了讓這個樂團的融合性更強,也希望讓樂團有更大的成長機會,才總算有了團名"A Great Big World""This Is the New Year"便是這個團名成立之後發表的首批作品之一。

其實,這首歌創作完成到發表大約相隔有一年的時間。當他們寫出這首歌時,都強烈地渴望讓這首歌的情緒以大規模的方式宣傳出去。於是,他們採取了相當個有衝勁的策略--把歌曲投稿給"Glee"的製作團隊。幸運的是,雖然間隔了一段時間,但在製作人Ryan Murphy聽過之後,立刻就決定要用這首相當適合在"Glee"中演示的歌曲。

喜歡這首歌的原因其實很直覺,就是那令人不禁想要隨之舞動的氣息,而他們的官方MV也確實就是走這種眾人自由伸展的風格呢。舞動的本質,不是特定規範與進退步伐,而是一種離開地表的情緒爆發。於是,不論是在什麼樣的情境,只要擁有旋律、肢體伸展、表達情緒,那足以完成一支舞蹈。

希望我們可以體驗彼此內在的舞動。

http://www.youtube.com/watch?v=qMwBXCc0flg

Sunday, February 17, 2013

Cha Cha for Twins


Image source: http://chachafortwins.pixnet.net/blog

如果有人可以和自己擁有一樣的角度看世界,行為總是合拍,這是一件使人愉悅的事情嗎?也或者,默契與歸屬只是一種心情上的需要,每個人內心其實也都渴望著獨特。表面上這是一個雙胞胎與青春錯愛的故事,但這其實是一個少女自我挖掘與破繭的過程。姊妹的存在,是具象化的另一個自己,可以面對與比較,找尋自己的不一樣與獨立。於是,刻畫與喚醒每一次悸動,跨越青春。

詮釋青春的愛情,很喜歡楊貽茜導演的筆觸。即便擁有辯才無礙的才華,在與女孩相處的時候,也會喪失言語的能力。約會的尷尬,是一前一後的整天漫步。一切都是那麼遲疑、單純、傻傻的,男孩女孩間的青澀,既熟悉而微妙。在螢幕上呼喊青春,除了男孩的汗水與衝動,我們需要更多女孩的柔軟與細膩。

一人飾演兩角,如果性格與外型有相當的差異,對演員來說,反而容易抓住反差的特質加以詮釋。但在一般家庭裡長大的雙胞胎姊妹,則必須掌握絕大相似裡的細微差異,才能產生說服力,而飾演女主角寶妮米妮的黃姵嘉在這一點表現極為優異。能讓觀眾一時迷惑,卻又能辨認兩者,是一種層次的趣味。其適切的螢幕魅力與親切感,相當有效地吸引觀眾的目光,希望她能有更多演出與展現的機會。

同樣的,如何善用運鏡與特效,變成為這部電影是否流暢的關鍵要素之一。老實說,我很驚喜這部電影在鏡頭上的挑戰。沒有盡量避免兩個角色互動的場景,反而因為劇情上姊妹兩個都是校隊隊員,而使得練習與比賽時,有更多互動的挑戰。即便在運動場外,也有很多次姊妹互動的場景:輪流在家裡面走動、一起刷牙吃飯、曬衣服,互相拋接的過程,都顯得很自然。我能想像,選擇運動員這樣的情節,可以很直接的表現出青春的活力;居家生活互動的描寫,可以讓觀眾更容易融入劇情與角色,不過對視覺效果的挑戰就會提高許多。製作團隊這樣直面挑戰的態度與螢幕上的效果恰以證明,在資源與製作受限的情況下,國片依然足以展現極優秀的技術實力。

這部電影的票房其實並不理想。即便我對這部電影有著獨自的喜愛,就算是在這個台灣電影復甦的時間點上映,其小品的特質、侷限的宣傳與話題性,都注定了口碑不錯,但卻無法賣座的結果。確實是可惜了。也因此,雖然這不是過去這一年最好的電影,不過,卻讓我有想要紀錄下這部電影的情緒。

是不是,青春便是找尋另一個自己,與之掙扎、認知、成長?然後,我們可以重新拾起專屬的微笑?

Saturday, February 16, 2013

How to Save a Life



How to Save a Life - The Fray

Step one you say we need to talk
He walks you say sit down it’s just a talk
He smiles politely back at you
You stare politely right on through
Some sort of window to your right
As he goes left and you stay right
Between the lines of fear and blame
And you begin to wonder why you came

Where did I go wrong, I lost a friend
Somewhere along in the bitterness
And I would have stayed up with you all night
Had I known how to save a life

Let him know that you know best
Cause after all you do know best
Try to slip past his defense
Without granting innocence
Lay down a list of what is wrong
The things you’ve told him all along
And pray to God he hears you
And pray to God he hears you

Where did I go wrong, I lost a friend
Somewhere along in the bitterness
And I would have stayed up with you all night
Had I known how to save a life

As he begins to raise his voice
You lower yours and grant him one last choice
Drive until you lose the road
Or break with the ones you’ve followed
He will do one of two things
He will admit to everything
Or he’ll say he’s just not the same
And you’ll begin to wonder why you came

Where did I go wrong, I lost a friend
Somewhere along in the bitterness
And I would have stayed up with you all night
Had I known how to save a life

Where did I go wrong, I lost a friend
Somewhere along in the bitterness
And I would have stayed up with you all night
Had I known how to save a life
How to save a life
How to save a life
Where did I go wrong, I lost a friend
Somewhere along in the bitterness
And I would have stayed up with you all night
Had I known how to save a life

Where did I go wrong, I lost a friend
Somewhere along in the bitterness
And I would have stayed up with you all night
Had I known how to save a life
How to save a life


======

雖然說,這首歌已經是2006年的作品,卻也一直是The Fray最優秀、最受喜愛的作品。

根據創作者,同時也是樂團主唱與鋼琴手Isaac Slade的說法,這是一首討論問題青少年的歌曲。他將自己在輔導中心所遇到的毒癮少年面對周圍親友時的困境,與自身經驗揉合,創作出這首歌。其中,歌詞中的"life"與其說是生命,不如說是圍繞在生命周圍的各種關係。"How to Save a Life"更直指Slade自己不知如何幫助少年與其親友解開彼此傷害與困頓的情緒。歌詞中的每一次詢問,都在挖掘,是否在不一樣的情境下,這些矛盾便足以化解。為了將這樣的概念宣傳開來,樂團發起了讓樂迷們創作與詮釋自己版本MV的活動,進而激發了更多故事的交流與感動。這樣概念的傳遞,也正是流行音樂才能創造出的獨特魅力與感染力。

每隔一段時間聽這首歌,都會讓我有種重新洗滌的感受。即便,我已經聽這首歌不下百次了。其第二版的MV更是相當牽引目光。當每一張年輕卻複雜情緒的面孔經過,間或出現的文字訊息,都伴隨著哭喊與掙脫的渴望,並充斥著強烈情緒,一直到最後的釋放。利用鋼琴做為引子,然後加入電子樂器的手法,雖然在另類搖滾裡很常見,但只要不要過度煽情,我倒是很容易就被這樣的音樂吸引。

很久沒有在最後加上音樂與影集的連結,不過,我想這首歌倒是很值得提一下。這首歌本來在告示牌的成績只是普通,一直到當時如日中天的"Grey's Anatomy"將之做為第二季末的插曲和第三季的宣傳配樂,一口氣將這首歌帶到第三名。其實我自己也是經由"Grey's Anatomy"聽到這首歌的。而就算已經沒有一直追看這部影集了,對這首歌的喜愛倒是一直存在。當然,這首歌本身就擁有某些能熱門的特質,但遇到這樣強力的宣傳而獲得成功,也算是一種機遇吧。

http://www.youtube.com/watch?v=cjVQ36NhbMk